Rameau's Hippolyte et Aricie
Come and see curated exhibitions and find out what's new in the Glyndebourne Archive. Hippolyte et Aricie, 29 June 2013. The Opera. Composer: Jean-Philippe Rameau . Librettist: Simon-Joseph Pellegrin. Conductor: William Christie. Orchestra: Orchestra Of The Age Of Enlightenment.
Hippolyte et Aricie trailer Glyndebourne Encore
On the eve of his return to Glyndebourne to conduct the company's first French Baroque opera, Cori Ellison queries him on this uncharted territory and his approach to Hippolyte et Aricie. Tue 23.
* L'opéra à la maison Hippolyte et Aricie de Rameau à l'Opéra Comique
When Hippolyte et Aricie was premiered in 1733, it was considered radically inventive. So it's appropriate that Glyndebourne should present Rameau with the same spirit of adventure. William Christie has shown many times before that baroque thrives on daring and panache. Thus the Prologue in this production starts with a shock calculated to.
Hippolyte et Aricie Paris 2012 Connolly Gillet Hill Lehtipuu Degout
In Glyndebourne's first-ever staging of an opera by Rameau, director Jonathan Kent presents a production which, in his own words, 'strives to appeal to every.
Hippolyte et Aricie, Glyndebourne opera review London Evening
Glyndebourne 2013: Hippolyte et Aricie - synopsis and cast/creatives. Thu 25 Jul 2013 13.10 EDT. Synopsis. Prologue Diana, chaste goddess of the moon and the hunt, and Cupid, god of love, argue.
Musique du film Hippolyte et Aricie AlloCiné
Jonathan Kent and William Christie's 2013 Hippolyte et Aricie was Glyndebourne's first-ever French Baroque opera production, and proved to be a smash hit, with critics declaring, "Few nights at the opera will be as rewarding as this one." (The Arts Desk) Kent's incredibly engaging modern staging intertwined with the cast's captivating.
Hippolyte et Aricie (Glyndebourne 2013) JeanPhilippe Rameau
Glyndebourne 2013: Hippolyte et Aricie podcast - audio. 18 Jul 2013. Glyndebourne 2013: Hippolyte et Aricie - synopsis and cast/creatives. 25 Jul 2013. Sarah Connolly: from triumph to tragedy.
Hippolyte et Aricie trailer Festival 2013 YouTube
Jean-Philippe Rameau wrote Hippolyte et Aricie in 1733 at the age of 50. It was his first opera and his greatest. In its five acts, its visits to the woods of Diana, the groves of Venus, the fires of Pluto and the domestic meltdown in the house of Phaedra, is some of the most assured, inventive and stylish music ever written for the stage. As operatic debuts go, it is a miracle.
Hippolyte et Aricie, Glyndebourne Festival Opera The Arts Desk
Diana, chaste goddess of the moon and the hunt, and Cupid, god of love, argue over who will dominate. Their quarrel is settled by Jupiter, who decrees that love will rule over all hearts for one day every year. Diana vows to protect the mortals Hippolytus (Hippolyte) and Aricia (Aricie).
Hippolyte et Aricie, by JeanPhiippe Rameau Le Concert d'Astrée
Peggy Reynolds provides a historical and musical introduction to one of the great works of French Baroque opera, Jean-Philippe Rameau's Hippolyte et Aricie.We hear from Jeanice Brooks, Professor of Music at the University of Southampton, who identifies Rameau as an almost exact contemporary of Handel and Bach, who started his musical career as an organist and theorist and went on to stage.
Hippolyte et Aricie / Curtain Call / Glyndebourne 18 August 2013
Hippolyte et Aricie was Rameau's first work for the stage, written when he was nearly 50. It is also Glyndebourne's first opera by Rameau and will strike audiences, as it did in Paris in 1733, with its richness of invention. This production reunites the team who created such a dazzling entertainment with Purcell's The Fairy Queen.
Rameau Hippolyte Et Aricie [Bluray] [2014] [Region Free] Amazon.co
Hippolyte et Aricie was Rameau's first work for the stage, written when he was nearly 50 and first performed in Paris in 1733. Glyndebourne's new production - its first ever Rameau - is directed.
Rameau Hippolyte et Aricie (Glyndebourne) YouTube
When Hippolyte et Aricie was premiered in 1733, it was considered radically inventive. So it's appropriate that Glyndebourne should present Rameau with the same spirit of adventure. William Christie has shown many times before that baroque thrives on daring and panache. Thus the Prologue in this production starts with a shock calculated to.
Explore Hippolyte et Aricie Glyndebourne
The festival's first ever Rameau opera is given a wildly over-the-top production by Jonathan Kent
Hippolyte et Aricie, Glyndebourne opera review London Evening
For its belated first foray into French Baroque opera, Glyndebourne chose Rameau's Hippolyte et Aricie and wisely invited William Christie to conduct.. And it seemed sensible to put the director.
Explore Hippolyte et Aricie Glyndebourne
Hippolyte et Aricie has tragic elements in the suicide of Phaedra and the humbling of Theseus, but it also has a rather forced happy ending imposed, rather than having Hippolytus killed. While Hippolyte has not yet yet been performed in Scotland, the Glyndebourne staging of 2013 featured in a relay to cinemas. The British premiere in 1965 was.